"Incorporating sharp questions and big ideas, Niven shifts deftly between history, politics, culture and literature to offer a fascinating and provocative analysis of the marginalisation of the North." Madeleine Bunting, author of Labours of Love: the Crisis of Care An in-depth exploration of the importance of the North of England in the modern era. The North Will Rise Again covers the colourful adventures of its inhabitants, the expansiveness and optimism that defines Northern culture, and the recurrent sense of failure and despair that is at the heart of one of the West’s most impoverished regions. By telling the story of the North in the last few decades, Alex goes in search of answers to some of the big questions at the forefront of British politics and society today, touching on live issues including the North/South divide, austerity, the impact of Brexit, the collapse of Labour’s ‘Red Wall’, and calls for regional devolution. He concludes with a powerful argument for a revival of northern politics and society by way of what he calls ‘radical regionalism’. A native Northerner himself, having returned to his home city of Newcastle with his family in the last few years, Alex also includes elements of memoir and stories from his own family history to reflect some of the key arguments of his book. To what extent are the crises of the last ten years partly the result of fundamental divides and inequalities in the geography of England? How did the North become a place of lost potential and broken dreams? And what can be done to make it one of the most dynamic and forward-looking places in the world once again? Niven considers all these questions and more in this lively and highly topical book.

An in-depth exploration of the importance of the North of England in the modern era. The North Will Rise Again covers the colourful adventures of its inhabitants, the expansiveness and optimism that defines Northern culture, and the recurrent sense of failure and despair that is at the heart of one of the West's most impoverished regions. By telling the story of the North in the last few decades, Alex goes in search of answers to some of the big questions at the forefront of British politics and society today, touching on live issues including the North/South divide, austerity, the impact of Brexit, the collapse of Labour's 'Red Wall', and calls for regional devolution. He concludes with a powerful argument for a revival of northern politics and society by way of what he calls 'radical regionalism'. A native Northerner himself, having returned to his home city of Newcastle with his family in the last few years, Alex also includes elements of memoir and stories from his own family history to reflect some of the key arguments of his book. To what extent are the crises of the last ten years partly the result of fundamental divides and inequalities in the geography of England? How did the North become a place of lost potential and broken dreams? And what can be done to make it one of the most dynamic and forward-looking places in the world once again? Niven considers all these questions and more in this lively and highly topical book.

An edition of the letters of the poet Basil Bunting (1900-1985). This is a long-awaited first selected edition of the letters of Basil Bunting, one of the major modernist poets of the twentieth century. It includes a large portion of Bunting's correspondence (around 200 letters) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie, and Tom Pickard. Following Bunting from his first encounters with major literary figures in London and Paris in the 1920s to his death in Northumberland in 1985, this selection showcases a narrative that is crucial to the history of modernism and modern poetry in English. Highlights include a long and detailed dialogue with Ezra Pound in the 1930s on political, economic, and literary subjects, a rich, ruminative exchange with the American poet Louis Zukoksfy lasting over four decades, and various accounts of the excitements and controversies of the Anglo-American poetry scene of the 60s and 70s. Whether Bunting is writing from New York at the height of the Depression, Iran in the aftermath of World War II, or the north of England during preparation of his masterpiece Briggflatts (1966), his prose is unfailingly sharp, eloquent, entertaining, and caustic. This edition contains detailed annotations of Bunting's letters, a critical introduction, glossary of names, and an editorial commentary.

Writing in Manchester in the years 1992-93, in a context in which the depression of social marginalisation was palliated by a culture of radical hedonism and belligerence, Noel Gallagher composed a series of songs that distilled the spirit of the age far better than the more usually celebrated Kurt Cobain. Gallagher's lyrics on Definitely Maybe offered a message of affirmation and hope that was couched in language of remarkable clarity and directness. As Gallagher would later put it, Cobain had everything, and was miserable about it. And we had fuck-all, and I still thought that getting up in the morning was the greatest fucking thing ever, because you didn't know where you'd end up at night. In an era in which deconstructive cynicism was threatening the very existence of the counterculture and the mainstream Left, Oasis offered a radical, anomalous vision of positivity. And the fact this was indisputably a working-class vision founded in solidarity and fraternity was incredibly important.To a post-Thatcherite Britain that had just undergone the most debilitating period of social upheaval in a century, Gallagher ventriloquised slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis everymen, Paul McGuigan, Paul Arthurs, and Tony McCarroll. The sheer elemental energy of Gallagher's idealism was breathtaking. Alex Niven charts the astonishing rise of Oasis in 1993 and 1994 and celebrates the life-affirming, communal force of songs such as Live Forever, Supersonic, and Cigarettes & Alcohol, and in doing so, he seeks to reposition Oasis in relation to their Britpop peers.

In this haunting debut collection, Alex Niven explores a poetic hinterland that is also a psychological and cultural wilderness. Adopting a style grounded in the radical minimalism of northern English modernism and romanticism, Niven writes poems constructed out of traditional forms cut up and reassembled to produce an abrupt lyric realism ideally suited to the political subject matter of his verse. These are poems of anger, mourning, and finally, extraordinary optimism, announcing the arrival of a historically lucid new bearing in twenty-first-century British poetry.

From Orwell-reading centrists to right-wing extremists, there have been countless attempts in recent decades to reimagine the feudal nation that was once England. But there is a strong case for saying that `England' doesn't exist at all in the twenty-first century. New Model Island examines a disparate range of cultural references-the late Mark Fisher, Dylan Thomas, Alton Towers, Northumbrian activism and Catholic Marxism-as it seeks to reimagine the architecture of the British Isles in the context of the energetic socialist revival of the moment. Part utopian memoir, part elegy for the 2010s, New Model Island is an impassioned call for a new kind of dreaming about post-national identity in a post-capitalist future.

For David Cameron and 'Big Society' Tories, folk culture means organic food, nu-folk pop music, and pastoral myths of Englishness. Meanwhile, postmodern liberal culture teaches us that talking about a singular 'folk' is reductive at best, neo-fascist at worst. But what is being held in check by this consensus against the possibility of a unified, oppositional, populist identity taking root in modern Britain? Folk Opposition explores a renewed contemporary divide between rulers and ruled, between a powerful elite and a disempowered populace. Using a series of examples, from folk music to football supporters' trusts, from Raoul Moat to Ridley Scott, it argues that anti-establishment populism remains a powerful force in British culture, asserting that the left must recapture this cultural territory from the far right and begin to rebuild democratic representation from the bottom up.